English Companion Ning

Where English teachers go to help each other

Read It and Weep!

Notes

WHAT I WANT TO KNOW:
1. If promotion and remediation doesn't get struggling students caught up, and retention and remediation makes it worse, WHAT WORKS?
2. Between these two options, which is better: short snippets of free choice reading every day (five minutes or so) or longer chunks, but not every day (half an hour, one day a week)? I've been doing 10 minutes every day (we have 90-min blocks).
3. How do I get parents engaged in what's going on at school?
4. Why are current vital story concepts (internal consistency, setup/payoff, expository dialogue) ignored in HS curriculum?


My Current Dirty Dozen

1. You should always be kind. No matter what.
2. You should always work hard. No matter what.
3. You should usually follow directions, and you should always make sure you're prepared to accept the consequences when you don't.
4. Reading doesn't have to suck. Even if you've always hated reading in the past, you can find reading materials you enjoy.
5. "Truth vs. falsehood" does not simply parallel "information vs. imagination."
6. You have ideas of value, and they're worth sharing.
7. What you believe matters, so consider the support behind ideas before claiming them.
8. "Being yourself" sometimes means "being different." Sometimes.
9. The choice between doing something for yourself and doing something for others is often difficult and almost always important, and it's a decision that should always be made carefully.
10. Others are more likely to take you seriously when you communicate your ideas in a way that shows a good understanding of language conventions and literary techniques.
11. Cause and effect is not a one-step process, but a chain of inter-related actions and events.
12. You should always consider the possible consequences of speaking or acting (and of not speaking or acting) before you do so.

Never underestimate the power of cookies.


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At 7:51pm on December 7, 2009, Bill Maniotis said…
You are such a hard case! One last try. No matter what Hemingway wrote about, IMHO, he always allowed the concrete to imply the abstract; moreover, when I read him at his best, I have a vicseral response to his writing. He says what can't be said. He shows rather than tells. What all the great writers do! Rather than read a whole novel, go back and look at a really great story like "Hills like White Elephants." That may be one of the most telling stories written about the heartache surrounding abortion I've ever read. It's just so funny how either one loves or hates Hemingway! It is usually a male/female thing--but not always. Can you think of a female writer that most men fail to fully appreciate?
At 4:39pm on December 7, 2009, Bill Maniotis said…
If you and I read A Farewell to Arms in a book club (with all our spare time), I think I could convince you of its substance. But I will say this:

1) The first chapter may be one of the greatest of all time. In one page, Hemingway is able to contain the seed of the entire novel--and he does so primarily through a simple description of the novel's setting. When you examine the imagery on that one page, you come to realize that he has juxtaposed images of nature and war together to prove the two things should never mix; of course, that is a central theme in the novel. But the kicker is that he implants that idea unconsciously in the reader's mind--as he does with most of his better descriptive passages.

2) His main character’s love for Catherine is genuine, and there is a sensitivity toward women in the novel that most people fail to recognize because of Hemingway’s chauvinistic tendencies. When Catherine dies at the end of the novel, after delivering Frederick’s stillborn son, Hemingway masterfully portrays the heavy grief that sits at the bottom of men’s souls.
At 3:48pm on December 7, 2009, Bill Maniotis said…
Frederick (our hero) does not blow up the bridge, if my memory serves me. I think either the Germans or Italians do. Catherine is the "nurse" he met in the hospital. She is based on a real-life romance he had with a nurse when he got injured as an ambulance driver in WWI.

As for comparing Hemingway's "undertow" with Obama's speechwriters...!
At 7:19pm on December 6, 2009, Bill Maniotis said…
Ah, you must be speaking of A Farewell to Arms. That novel contains his strongest female character--Catherine (and that's not saying much!) Ironically, Hemingway is not the "action" writer people think he is. He is an "iceberg" type. Alas, he does not believe women capable of "grace under pressure." But I do. And I make sure that is a major focus of our discussion of his work. In his world, women always panic, and they are fragile and in need of protection. We debunk that myth consistently as we read. However, we also spend a lot of time talking about the true differences between men and women. While we no longer live in a "man's" world, we still strugle to define true masculinity and femininity. Strangely enough, I find high school students better able to articulate those differences than most adults I meet. The ones with the truest hearts, like Huck Finn, often break through the politcal correctness that cluds honest debate.
At 6:03pm on December 5, 2009, Bill Maniotis said…
Males are often attracted to Hemingway the "man." At first, he seems to be the perfect synthesis of "thought" and "action." When I was younger, I admired him for trying to "live" his stories. In other words, he wouldn't write about something unless he had experienced it directly (in some form)--in the jungle of Africa, on the warfront, or in the bullfighting ring. I think there is power behind that. Many writers are all "in the head," I used to think, and not enough go out and "do" the stuff they write about.
I also was enamored of the whole "Grace under pressure" mentality. Most men, whether or not they admit it, would like to think that they would be able to "perform" under pressure, whether it was sinking the winning basket, or shooting the lion between the eyes as it is rushing on you, or slaying the enemy on the battlefield even when all the "odds" are against you. As I got older, I came to appreciate "true" courage, which is a little different than the way Hemingway espoused it. Real men
want to lead with virtue, and get up every day and go to work for their families. Real men don't let their egos get in the way. Society still expects men to "perform" in so many ways, though, and I think Hemingway's writing, at its best, reflects the struggle all men feel to be the best they can be.
At 7:43pm on December 3, 2009, Bill Maniotis said…
Hemingway's style of writing is wonderful; his influence on modern writers was amazing. He taught me that one could use simple and direct language to keep readers in the "fictional" dream world, and that more complex language breaks them out of it. He also taught me that simple diction/language can carry great emotional weight. I think he is important for both men and women to read. He gives us a great look at the good, the bad, and the ugly of the male psyche. I am always amazed at how many English teachers either love or hate his writing. My students like him because his use of language makes him accessible, and yet they understand he speaks of "deep" things.
At 5:03pm on November 30, 2009, Penny Kittle said…
Thanks for the tip!
At 10:18am on November 25, 2009, Frances W. Habecker said…
Remember- - -My nickname is "Pokey." I probably won't be as prompt at response as you.
At 7:39pm on November 23, 2009, Kim McCollum-Clark said…
Dear Clix, I don't wanna sound high school, but I don't like you for your pix! You were the first person I "followed" on this Ning when I started. I like your irreverence and your way into and around ideas. It would've been great to meet the real you, one way or the other. And I hear ya about the money. If the conference had not been in my state, I'd be SOL too.
At 5:25pm on November 23, 2009, Jim Burke said…
Hey Clix,
You've been such a great member of our community. We would have loved to meet you at NCTE last weekend! Best to you for Thanksgiving.

Jim

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Where do you work?
School, and on my blog (sorta) at uncomfortableadventures.blogspot.com
What are you reading?
Reading Don't Fix No Chevys; For Whom the Bell Tolls (STILL YUCK!)
How do you define your role/work?
I teach - or attempt to.

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Clix's Blog

Clix

Brother, Can You Spare a... Dollar?

I hate asking for things. I almost always feel like I'm pestering and/or imposing upon the person (or people) I'm approaching. See, I am pretty darn good at saying NO. But I know that often others are uncomfortable turning people down, and I don't want to put people I like in that position unnecessarily. Like yesterday when I asked our registrar if she'd print up address labels to the parents of our seniors so that I could mail out forms for the senior yearbook ads. As I was leaving after tha

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What a Lovely Day, and YACE! (Yet Another Carnival Edition)

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EduCarnival!

In case you missed it, the EduCarnival is up and running. Come by & read, & don't forget to < href="http://blogcarnival.com/bc/submit_7988.html">submit your article for next week's issue!

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Clix

It's time to share and connect. WOO!

The next issue of the EduCarnival, a collection of blog posts about teaching and education, will be up for perusal on Wednesday (September 16) at Epic Adventures Are Often Uncomfortable.

You can submit an article from your blog to this issue by emailing me the direct URL of your article at uncomfortableadventures (at) yahoo (dot) com. Or, you can use the handy-dandy carnival submissiContinue

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New Issue of the EduCarnival v2!

A new EduCarnival is live over at Epic Adventures Are Often Uncomfortable. The EduCarnival is a collection of articles and blog posts from around the edusphere, and it is BRAND NEW every Wednesday.

To have a post included next week, email it to uncomfortableadventures (at) yahoo (dot) com or just click on… Continue

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